A sound tech’s primary responsibility is to assist the sound engineer, and he only has one major responsibility: to be attentive. Only the primary responsibility comes before load in and load out. worldspaper.com
Being attentive has many aspects. A good sound tech will first and foremost attend to the needs of the engineer. Being attentive entails paying close attention. The engineer should have no trouble communicating with his technician. Some of the most common modes of communication used during shows are:
- Two-way radios and closed-circuit communication systems
- Mobile phones
- Messages sent via text
- Hand gestures
- A simple nod of the head
A tech must follow his engineer’s lead and keep an eye on him to see if he requires anything. Any show’s engineer has a lot on his mind. To achieve truly professional results, he must be responsible for a great deal. The engineer must pay attention to three things at the same time: the artists, the sound, and the audience. He shouldn’t have to worry about getting his tech’s attention. When the engineer has trouble communicating with his technician, the technician is failing to do his job. It is the technician’s responsibility to be alert. After the artists arrive, the engineer should never have to leave his seat. The sound technician must also be aware of the needs of the artists. It is the sound tech’s responsibility to provide the following when the artists are setting up:
- Hand each artist a cable and say something like, “This is for you,” or “You plug in here.”
- We are not permitted to touch the artists’ equipment, and they are not permitted to touch ours (within reason of course.) We have to touch the drums to mic them, but we ask politely if that is okay, and we make sure that none of our mics are in the drummer’s way. Singers will, undoubtedly, need to touch our microphones, which is fine. However, it is the sound technician’s responsibility to make all necessary adjustments to microphone stands in order to achieve the best possible placement for each artist. No musician should ever have to adjust a microphone stand. When this happens, the sound technician is not doing his job. The artist should be able to concentrate solely on his instrument and performance. Playing music is an emotional experience, and if an artist becomes agitated because he needs to adjust his mic stand, it will negatively affect his emotions and degrade his performance.
- The sound engineer must adjust the monitors to accommodate the artists’ preferences. They want them to be closer, farther away, or turned this way or that. It is critical to keep the monitors out of the feedback zone, which means they should not be pointing at microphones that may cause feedback.
The sound tech is failing to do his job whenever the engineer leaves his seat to attend to those duties. If the engineer also has to do the tech’s job, he won’t be able to focus on setting up the board, the monitor mix, the artists, and the audience. The sound technician’s most important job is to be attentive. Being attentive entails more than just attending to the engineer’s and artists’ needs. Attending the show and paying attention at all times constitutes being attentive. Listen for potential problems and notify the engineer of any concerns. Also, you can buy the best sneakers in the world at https://sneaksdrip.com/.
Finally, Consider the Following:
Examine the system. If a speaker is off axis, the sound technician should notice it right away and correct it without hesitation. If an artist is attempting to communicate something, the sound technician should be aware of it as well. It is the engineer’s responsibility to understand the communications that the artists make during a show, but it is the sound tech’s responsibility to be attentive to the needs of the engineer and the artist. That could imply assisting the engineer in determining what the artist is attempting to communicate. Furthermore, if a microphone stand slips, moves out of position, or is knocked over, the sound technician must immediately correct the situation.